Saratoga City Ballet Instructors


297Siobhan Di Prima Dunham, School Director, began training in ballet at the Hollenbeck School of Dance in Albany, NY. She went on to attend the School of American Ballet for five years leading her to a professional dance career. She danced with Pacific Northwest Ballet under the direction of Melissa Hayden (principal dancer NYCB), Nevada Dance Theatre, Dublin City Ballet (Ireland), and the Berkshire Ballet Company. Siobhan holds a Bachelor of Fine Arts, with a concentration in dance from the University of Utah, as well as having an extensive undergraduate education in Art History. Her teaching career began as the director of the ballet program at Emma Willard School for Girls in Troy, NY. Since then she has taught in programs both locally and abroad. For two years  she was the Interim Artistic Director of the National Museum of Dance. In addition to instructing at SCB, she is the Director of Arts Education at SPAC, where she runs a Pre-Performance Talk series for New York City Ballet and the Philadelphia Orchestra during their summer residencies, and works in the outreach education division for dance and music.


Miranda Danise, Instructor, has trained locally in Saratoga Springs with Madame Phyllis Latin, with whom she apprenticed before becoming a member of the staff at The American Dance Center. She has gone on to receive an Associate of the Arts Degree as well as Zumba Instructor Certification. She has attended several programs including the Central Pennsylvania Youth Ballet in Carlisle, PA and Joffrey Ballet in NYC. Miranda was accepted into an apprenticeship with the Oklahoma City Ballet before sustaining an injury causing her to forfeit a professional dance career and pursue teaching.


Jessica Fowler, Instructor, studied with The American Dance Center in Saratoga Springs, NY under the direction and care of Madame Phyllis Latin. While in high school she performed as a member of the Phyllis Latin Dance Company, Inc. at many local venues. Jessica went on to receive a BA in Dance and a BA in Psychology from the University of Buffalo in 2006. While attending UB, Jessica performed in several school productions as well as guest performances with Buffalo City Ballet and Western New York’s Children’s Choir. In 2014 she also received her Master of Science in education (MSEd) in Childhood / Special Education from the College of Saint Rose. Jessica was on the teaching staff of The American Dance Center for over 10 years before the studio closed. Jessica began instructing at Saratoga City Ballet in February of 2016.


Leslie Kettlewell is very excited to be returning to Saratoga City Ballet, where she taught for many years. Leslie loves children and dance! In every class she strives to bring the joy of dance to her students. Leslie has been a professional dance educator for more than twenty years. She has taught dance to children in schools, in private studios, and for community organizations. She has also lectured at Union College on dance instruction for young children. Leslie is a classically trained dancer and a Skidmore graduate. She studied dance in France and England, as well as with the world renowned dancer Melissa Hayden. In addition to teaching dance, Leslie has worked as a vocational evaluator for the handicapped, and as a counselor, legal affairs specialist and editor. She is also a published author. Leslie has two children. Her son was with Microsoft and is now pursuing his own start up. Her daughter is presently at Vassar College where in addition to being premedical student, she is performing with a pre-professional dance company.


Madame Phyllis Latin, Instructor
Madame Latin was dancing major roles in the Fritche-Lewis Dance Co. by the time she was twelve. She danced in the St. Louis Opera, the San Francisco Opera, and performed for president Truman before her thirteenth birthday. After graduating from high school she left for New York to continue her studies at the School of American Ballet where she auditioned for George Balanchine’s company. Not wanting to join the company as a corps de ballet member she left for Europe and performed as a guest artist for two years. Upon returning to the U. S. she appeared on the Ed Sullivan and Perry Como shows and worked with Jerome Robbins Ballet USA.

In Saratoga Springs she opened the American Dance Center, founded the Saratoga Ballet Co., founded the Saratoga County Arts Council, wrote the dance degree program for the first graduating dance degree student for Empire State College, received a CETA grant for dancers, ballet master, and accompanist, was the official teacher for the Canadian Ballet Association, choreographed for local theater groups, had an international boarding school for dance students from Europe, Canada, Panama, and South America, as well as the U. S. Madame Latin travels to South America, France, and England to teach master classes, in addition to teaching seminars and master classes throughout the U. S.


Pamara Perry, Instructor, began studying ballet in Cleveland, Ohio at age eleven with Alex Martin of England’s Royal Ballet. When she was 14, during a regional conference master class taught by Robert Joffrey, George Balanchine spotted her and offered her a Ford Foundation Scholarship to attend his School of American Ballet in New York City. After a summer program, Pamara’s scholarship was extended for the school year. At this time she enrolled in Professional Children’s School for her academic training.

Pamara’s classical foundation and technique comes from working with world-renowned instructors including George Balanchine, Robert Joffrey, Alexandra Danilova, Andre Eglevsky, Stanley Williams, Felia Doubrovska, Diana Adams, and Suzanne Farrell. Mr. Balanchine and Maria Tallchief selected her to work with them for The New York City Ballet Educational Department. This provided valuable performance opportunities to dance numerous roles with soloists from major New York City ballet companies. It also led to a private audition with Robert Joffrey who offered her a contract to join The Joffrey Ballet. Pamara danced leading roles in several ballets, and had new roles created for her. She performed worldwide as a principal dancer with The Joffrey Ballet. Her guest appearances include The Eglevsky Ballet, The Los Angeles Ballet, and The Lexington Ballet.

She has had the opportunity to work with choreographers Jerome Robbins, Leonide Massine, Gerald Arpino, Lew Christensen, and Anna Sokolow. Some of the leading roles she danced were “Swan Lake”, “Coppelia”, “Fanfarita”, “Interplay”, “Pas de Dix”, “Pas de Quatre”, “Stars and Stripes”, “Nutcracker”, and “Sleeping Beauty. Retiring from the performing world, Pamara raised a family and established her career in teaching, choreography, and directing. In this area she has taught at Skidmore, Russell Sage, Siena, and Adirondack Community Colleges, Ballet Regent, The Capital Ballet and Saratoga City Ballet. She also taught at the Joffrey Ballet School in New York City and at a summer Joffrey Midwest Workshop. She instructs figure skaters on and off the ice. Her choreography has been used in productions for The Lake George Opera Festival, The Glens Falls Community Theater, and The Empire State Institute for the Performing Arts. Pamara directed The Lexington Ballet Company prior to moving to upstate New York. As Artistic Director of the Adirondack Repertory Dance Theatre for 30 years, she choreographed programs using professional musicians and guest artists, and created a holiday tradition, “Night Before Christmas”.


Danielle Selby, Instructor, earned her BFA from the College at Brockport State University of New York. Her choreography has been performed at the National Conference for Undergraduate Research, Michigan Youth Arts Festival, RAD Fest, Built on Stilts, Detroit Dance Race, Inhale Performance series and others. Ms. Selby returned to New York after living in Michigan for several years. In Michigan, Selby was the Assistant Artistic Director for Happendance professional dance company and the Director of Operation for the Happendance Foundation. Danielle not only shares her love of dance on stage but also in the studio, having taught dancers age 3 to 83 in Jazz, Modern, Ballet, Contemporary, Tap, Partnering, Composition, Conditioning and Social Dance.